Tuesday, January 17, 2012

Alive - M0RG4N

You, you are alive and I
I want to touch that life
play the spark of it
slow over my fingertips

I am that one to fly 
kite and key into your storm
just to taste your lightning
should it burn rainbows in the sky


Chorus:
I would lay my ear
against your chest and listen
to your breath and hear it
charge you full

I would touch your life
play with you like children
who dance knowing
they're never gonna die

You, you are force
the binding of moon and earth
sun drawn to horizon, 
the seduction of the stars

I am that explorer who
doesn't bother with a compass
what good is North
if it doesn't point to you

Chorus

You, you are alive and I
I would touch that life
play my part upon its stage
til the curtain falls and the lights fade

Delilah - M0RG4N

Hey, Delilah
I gave you a little taste
of everything
I wore my heart
on my sleeve
you found a string
and now it's all unravelling
Hey-ey-ey Delilah
never should have let you
walk through that door
Now all I can see
is what's left of me
lying on the floor

Oh my sweet Delilah
who'd have thought you'd be
like all the rest
I gave you my love
I gave you my trust
but there was only you
there never was an us
Oh-oh-oh Delilah
Why'd you have to go and make
a fool of me
Now all I know
is watching you go
has made a sadder, wiser man of me

You're such a bitch, Delilah
I don't know what makes you thin
you can do these things
I wish you the best
but life's not that kind
and I hate to be you
when you get what's coming
You're a bitch, Delilah
but you'll see Karma's
an even bigger one
Now I know you're strong
but you can't take her on
after all the things that you have done

Hey Delilah
someday you'll look back and see
that I've moved on.
You won't hear your name
in any of my songs
you'll be someone I forgot
and when you see me on the street
with a full head of hair
I won't even know you're there

Hey, Delilah
Oh my sweet, Delilah
You're such a bitch, Delilah
This is goodbye, Delilah
This is goodbye, Delilah
Oh-oh-oh, Delilah

Building Better Relationships

Recent studies show that one of the five aspects of human well-being is positive relationships. It appears that the saying “no man is an island” is an apt one, or, one might say no ‘happy’ man is an island. (Happiness itself is a small part of another aspect altogether. The five together are: positive emotions, engagement, positive relationships, meaning and accomplishment.)

So the question is, how do we build positive relationships? There are two important principles that can help us with this. The first is called the Losada ratio. This ratio measures the amount of positivity versus negativity in any given relationship. For example, it’s been shown that in flourishing companies meetings have a ratio of 2.9 positive comments for every 1 negative comment. This same ratio in a marriage is typical of a relationship headed toward divorce. You need a 5:1 ration to predict a strong and loving marriage -- five positive statements for every critical statement you make of your spouse (Flourish pg. 95). (It’s important to note you can be too positive. At a ration of 13:1 you’re so positive it’s dangerous.)

How do we improve this? Other than paying closer attention to the words that come out of our mouths, what can we do? Positive psychology shows us that there are four ways of responding to the people in our lives. They are active constructive, passive constructive, passive destructive and active destructive. In his book Flourish, Martin Seligman, the father of positive psychology, uses the example of receiving a promotion.

Let’s put ourselves in those shoes. Imagine you just found out that you’re getting promoted at work. You share this information with someone important in your life, a friend, significant other, maybe a parent. In active destructive responding, that person says something like, “Wow. That’s a lot of new responsibility. Does this mean you’re going to be working more overtime?” Passive destructive might be as subtle as not recognizing the topic at all: “Did you hear the Seahawk’s won their game?” Passive constructive is the supportive, “That’s great!” with no follow up. The final type of responding is the most helpful in building positive relationships and what we can do is make sure we’re interacting with the people in our lives using active constructive responses. Active constructive is tough and often requires effort, but it is the only one that truly builds relationships.

In our promotion scenario, your person shows interest in the details of the event. He or she makes an effort to relive the event with you, “I’m so proud of you! When did you find out? What kind of work are you going to be doing? Who gave you the good news? What did he/she say? Let’s celebrate!” While it can take some energy to work these kinds of question into your interactions, the potential improvement in your relationships and your own well-being is well worth the effort.

It’s important to remember that our non-verbal communication is just as or even more important than what we say. If you look bored, it doesn’t matter what questions you’re asking. No one’s going to be convinced.

By paying attention to what we say, how positive or negative it is and the manner in which react to news shared by the people in our lives we can start to build better, more meaningful relationships. Keeping these two factors in mind we can improve suffering relationships or make what’s good, great.

Resources

Fredrickson, B. L. and Losada, M. F., “Positive Effect and the Complex Dynamics of Human Flourishing, American Psychologist 60 (2005): 678-86.

Seligman, Martin. Flourish: A Visionary New Understanding of Happiness and Well-being. Simon and Schuster, 2011.

authentichappiness.org

Friday, December 9, 2011

Ecstasy


Ah ecstasy, finest in form
the formal of silk, of satin
slid over skin like caress
the dress, art itself
Da Vinci’s last brushstroke
on canvas already masterpiece
Ecstasy in shape, arched
huskily beckoned words
paint air and page with iambs
spun as though on potter’s wheel
the careful meter coaxing weighted breath
motion, models, music
make symphony of percussion
ecstasy, gift and treasure
passion laid back on page
kissed by sight and loved
in the brief meeting of eyelashes
loved as eyes love
the rise of mountains, the slip
slow into gentle valleys
mapped by light and shadow
ecstasy, twin rivers of luminescence
meet in fall of shaded silhouettes
tantalizing, mesmerizing
temptation sated and honed
by poet’s palette, the taste
of summer’s honey wind
and winter’s chill sharp
on skin and imagination
Ecstasy, finest in form, ephemeral
skilled hands crafting beauty
stirs heart, mind, ecstasy
priceless, ecstasy
breathtaking

Monday, November 28, 2011

Two Pillows


There’s a reason
I sleep with two pillows.
One’s for you
when finally you rest your head
next to mine as we lie awake
each lost in the other’s eyes
til night draws the curtains
of our eyelids closed.

There’s a reason
I sleep with two pillows.
When my heart aches,
when I’m lonely,
when I can’t stand
staring at the ceiling anymore
I pretend one is you.

There’s a reason
I sleep with two pillows.
One is the place
where I do all my dreaming
and the other’s for the ghost
of love yet to come.

There’s a reason
I sleep with two pillows.
One is for me.
The other’s for you.

Monday, November 14, 2011

Some Day Soon


Love, I bet Cassandra never cared much
for the stories of her day
I bet instead she was looking ahead
and smiling at our fate

I’m not supposed to
be dreaming about you
and what you’ll look like
on our wedding day
I’m not supposed to
already know our children by name

I don’t care if somehow
it makes me less of a man
some day soon, with you
I’ll be so much more

Love, I have to confess
even though we haven’t met
I’ve known since I learned to read
you and I are written in the stars

I’m not supposed to
be dreaming about you
and what you’ll look like
on our wedding day
I’m not supposed to
already know our children by name

I don’t care if somehow
it makes me less of a man
some day soon, with you
I’ll be so much more

Love, if someone is out there
spinning the threads of destiny
I bet they’re proud of the work
they’ve put into our tapestry

I’m not supposed to
be dreaming about you
and what you’ll look like
on our wedding day
I’m not supposed to
already know our children by name

I don’t care if somehow
it makes me less of a man
some day soon, with you
I’ll be so much more

Lightswitch


She was always off and on
like a little girl
playing with a lightswitch
I don’t think my eyes ever adjusted
and now it seems her bulb burnt out.

She left the room, her hand hung back
to catch the switch on the way out
she left me, a ship out to sea
wondering what happened
to the lighthouse

She pulled the clouds
like a shade ‘cross the sun
then ripped them away
just when I looked up
to see where it had gone

She coaxed the moon
into hiding her face
at the right wrong time
when I needed a friend, just
when I thought my ship was coming in

Though I miss her light
I’m not sitting alone in the dark
I still have the stars
to keep me company
Though I miss her light
I won’t lose my way
I still have Polaris
to get me through the night
I’ll steer by the stars
to get me through the night